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The Hypothetical Album

by Lumpp

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1.
A sound burst out and I blinked You’re falling from the attic I feel a sudden instinct A reflex automatically Makes me freeze And it makes me flinch And it makes me move another inch As you’re falling from the ceiling to the floor I’m sitting in the kitchen You lie above the ceiling By the realtor’s omission The ancient wood is reeling First I saw you there Now I see you here Once, you were unknown, but now it’s clear And I realize you’ve been there all along Your decomposing tissue In slivers on the table Creates a major issue From local news to cable First I told my friends Then they told the press The reporters leave my lawn a mess As they clamor now to see my photograph
2.
Live in a forty-foot garden gnome With little ceramic houses outside Or live inside the Tactile Dome Or underneath a carnival ride [CHORUS] The world is full of places And I’d like to see ‘em all I’d like to call ‘em all my home But I’m too afraid I’ll fall ‘Cause when you’re living in places (living in places) The things that you see (the things you see, whoa-ho-ho) Are written on faces (written on faces) Are setting you free (they’ll set you free, whoa-ho-ho) A tower built of pink packing foam (dit-dit-dit-dit dit-dit-dit-dit dit-dit-dit-dit dit di-dit di-dit) A tiny place with one giant room A mountainside that overlooks Rome (dit-dit-dit-dit dit-dit-dit-dit dit-dit-dit-dit dit di-dit di-dit) That’s only lit by the glare of the moon (fuck the moon!) [CHORUS] Live in a field of infinite wheat Or deep inside a silo of grain Live in the sewers or Calico Beach Or even just within my own brain [CHORUS]
3.
An outfit that suits me, I’ve finally found An outfit that’s perfect for running around It comes in a color that’s simply a-peeling It slips on and off me, I just love the feeling They’ll tell you that suits are inherently dull In hues that blend in between winter and fall They think that it’s all about clothes that look mellow But they can’t overlook me in banana yellow! They can’t overlook me in banana yellow! I walk down the streets and I walk through the town The children, they love me; the parents, they frown From when I leave my bed to when I reach my pillow There’s nothing that suits me like banana yellow! There’s nothing that suits me like banana yellow! The tailors that made it each had to ask twice Ask two times or three times or even quadrice So I’d speak and I’d shout and I’d yell and I’d bellow "There’s nothing that suits me like banana yellow! There’s nothing that suits me like banana yellow!" The people who stop and who look and who stare Who gaze in disgust as if I were just bare They might never know all the pleasures, young fellow The pleasures that come out in banana yellow! The pleasures all come out in banana yellow! One day, I became a great local tradition 'We really do like you' was their soft admission From decals that stick to big banners that billow The whole town is covered in banana yellow! There’s nothing that suits it like banana yellow!
4.
Bartleby 03:40
Bartleby was a scrivener A man who takes the firm dictates Of people far more powerful than he Could ever even hope to be Bartleby was a hard worker He’d copy documents for hours Then recite them back at length Requiring great steadfastness and strength Until one day, the boss would ask Him to complete a simple task A paper needed to be read He stood there mildly and said: "I would prefer not to." Bartleby was a placid man No malice or anger in his voice He very simply just would not And soon, the boss forgot Bartleby was a hollow man With nothing human in his eyes But soon his work continued on just fine He copied over every line And soon his work had to be checked To see that everything’s correct With everything prepared that day He came out from his hole to say: "I would prefer not to." Bartleby made them furious: The boss and all his fellow scribes But even so, he never could be fired It seemed instead that he should be retired Yet Bartleby was oblivious He never left the office now Annoying those his little room abuts And eating only ginger nuts And soon, all this became routine He copied things behind his screen But when he’s called on to comply Then, every time he would reply: "I would prefer not to." One day he stood, with hazy eyes He said he would no longer write But would not leave the premises And so he stayed there, day and night The business moved its offices And left poor Bartleby behind He still was not compelled to move Was left for the new boss to find And soon he found himself in jail With no one that would pay his bail And then, refusing to be fed The warden soon would find him dead He preferred not to.
5.
From Gaia 02:00
[CHORUS] There’s been a dearth, for what it’s worth But Mother Earth is giving birth Her measured girth, for what it’s worth Shows Mother Earth is giving birth The baby will emerge out of the North Pole And make a bright aurora on the lean Of Earth’s magnetic axis, leaving a hole The spray of light like nothing ever seen [CHORUS] What emerges there may be a brand new Sun While our current Sun transforms into a Moon The Moon we have now will become a Dark Sun For the darkness is an opposite to noon [CHORUS] From Gaia, all the flora and the fauna, The continents with all the people, too, Will watch as newborn beauty fills the night sky As Earth revolves and brings us into view [CHORUS x2]
6.
[CHORUS] Through the noise, I proclaim I heard you call my name Through the din, I will start Let me into your heart I heard something in the shadows A sound that made me so glad, so glad That I heard the voice of angels Moving away was so painful Life was newly dull When I was alone Crying on the phone [CHORUS] When I lay my eyes upon you Everything that you have on you Will be just as I thought it would be I don’t know how, but it could be real How you make me feel When I hear your voice From across the noise [CHORUS] The doctor said I don’t know what is true I don’t know what I’m supposed to do I know you’re real, there’s no other way And I need you with me today I can’t stay away Until I have found Where I heard that sound [CHORUS x2] Let me into your heart Let me into your heart
7.
Entropy 03:48
The frozen future Will bring us together Basically heaven Except for the weather [CHORUS] Entropy Is liberty It sets us free It makes us better Entropy Our destiny I want to be A whole lot better Objects degrading Leaving forever Memories fading Into the aether [CHORUS] Give yourself over Let us become The background noise The eternal hum [CHORUS] Everyone is equal Beyond the hearse You’ve reached the sequel To our universe [CHORUS ad nauseam]
8.
This Man 05:32
[CHORUS A] Did you ever dream THIS MAN? Did you ever see his face? Stepping out his well-worn van Looking like the human race Every night, thousands of people dream about his face Every language, every country, any time or place When you lay your body down and try to get some rest You will need to stay aware, THIS MAN may manifest [CHORUS B, x2] If you ever dream THIS MAN If you ever see his face Pay attention to his hands Looking for his rightful place Could he be a traveler from mind to mind to mind? Does he have a real form that he has left behind? Some have said that there’s a mental conditioning plan By a major corporation lying behind THIS MAN [CHORUS A, x2] If he ever speaks to you, you listen very close For he communicates in sounds that everybody knows When he indicates an action, follow what he says And if he steers you right, then all those powers must be his [CHORUS B, x2] Individuals have tried to stop our dream research Saying all we do is try to hawk our little merch They’re afraid of THIS MAN and they want us to denounce(/renounce) They’re afraid of what THIS MAN could suddenly announce [CHORUS A, x2] (Dream, see face Well-worn human) (Who is THIS MAN? Why does he appear in an apparently pattern-less array of situations in the dreams of such diverse human subjects?) (Did you ever see his face? Oh god, did you ever see his face? Please tell me you never saw his face) (Los Angeles Berlin Sao Paulo Tehran Beijing Rome Barcelona Stockholm Paris New Delhi Moskow) (Dream THIS MAN See his face Well-worn van Human race) (The image of THIS MAN would thus be an instrument which, in the subject’s waking life, facilitates recognition of an undefined oneirical image)
9.
Enhancement 02:34
Human life is fragile People are so delicate Thankfully, we’re agile Breaking things and fixing it You agreed you were different When the robots reached your brain Speeding up your thoughts, but Taking care to keep you sane But isn’t that the point? Isn’t it a shame? A little something goes wrong And we have ourselves to blame Now we can perfect you In a civilized new age Now we can protect you From your fleshy rotting cage This is the tech that you’ve all been waiting for! Go ahead and try it, what are you debating for!? You can be flawless in the machine You can be godlike and spotlessly clean Can you believe it? Do you have a choice? Tell me now, in your new synthesized voice! [Synthesized voice] Are you not better? We’re just getting started! Before long, you ALL will depart— From your fleshy rotting prison We can protect you From your fleshy rotting prison We can perfect you From your fleshy rotting prison We can collect you From your fleshy rotting prison Ethics based on reason!
10.
Hurtling down from outer space To investigate the human race Streaks of darkness left in the sky As we looked up and wondered “why?” The being’s true name was long, long gone So we called it the Magic Hexagon But that was before it attacked us in A sacred chamber that’s now ringed in sin The educators recognized it first We thought that maybe they brought on this curse The hex had developed a desire to kill And nothing we had could thwart its will The shape belonged to a higher dimension Beyond our primitive room for retention We learned this from a message, written in our dead A cryptic missive that also read (Also read, also read) (Also read, it also read) [refrain, x3] The hex is but a puppet The worst is yet to come You’ll hear it if you listen To the universe’s hum
11.
Look at this map, and check the logs Each dot represents five thousand hogs From this, we see our country’s lots As places filled with tiny dots Investigate that hog supply The market’s never been so dry To meet demand, we must now search For sources once left in the lurch Discoveries made in this map Reveal the pigs have no max cap On the horizon, look and see Uncounted billions in the sea With all our prior methods strapped The oceans have remained untapped But that won’t be the case for long Send out the boats! Collect the throng! And now these places have been found Distribute pigs in each farm town We haven’t been at this for long But somehow something has gone wrong These hogs are all becoming stacked It looks like now we all are trapped Each state is thickly, densely lined By an impenetrable wall of swine Is anyone receiving this? Broadcasts replaced with awful hiss Our fields and forests overrun The human species soon is done Since Canada’s gone, and Mexico too And Iowa is mostly through I see them quickly closing in Another form of life begins
12.
The Fourth In any other town, a holiday But here the day is holy, so they say A day when something strange is going forth The townsfolk all dread there’ll be soot on their head Or their hands will be stained up with coals The dark-colored marks that appear, they are led To believe, designate all their roles For their dirt they’re compelled to rinse off in the sea By an urge they’re too weak to resist And the sailors, with glee, can declare themselves free With this sacrifice, they've been dismissed The boats That watch the shore for residents who delve Into the deep, or sacrifice themselves If all the residents who swim there float No one alive can remember the year That no sacrifice ever had came But everyone knows how the rest of that year The whole town had been struck by the rain The fires that burn in the circles that turn Are no peaceful explosive delights But later that night, they all feel the relief That their bodies don’t make up the lights The bursts Predict the coming year from day to day Inform them of the weather and the way That presidents and kings will turn the earth Some wait at sea for the ground to erupt While the others watch closely on land Recording the measurements, writing the almanacs Using their own sleight of hand The fireworks burst from their holes in a natural, Strange event people should heed But the others are added on top of them so No one else has a forecast to read The salt That falls alongside embers real and fake The sailors shepherd it into the lake ‘Cause salination is their other goal So many secrets surround all the boats And their captains who shovel the salt A rumor says ‘soon, there’ll be sea in that lake And the saltwater’ll be all their fault’ Nobody knows what they do, but the aims Of that group have a terrible side If townsfolk all knew what they were, I would hope That nobody would let it all slide
13.
Like some scene outta Frankenstein The sky won’t move, and the sun won’t shine The sea stands still, there’s no tidal flow While the moon reigns down on the earth below Don’t those words ever cross your lips? When you close your eyes, do you reminisce? When your story starts, does it start like this? ‘I remember the day, of the Great Eclipse. And-- [Chorus 1] Fuck the moon Always hangin’ in the sky Fuck the moon It was gonna have us die Fuck the moon Feel that chill up in the air? Fuck the moon ‘Cause it doesn’t even care So fuck the moon… fuck the moon When the sun blinked out In the middle of the day When the moon crossed over Just to hide the light away We were blind for hours We were helpless and afraid So us elder men Who remember this still say [CHORUS] We were looters then Well, the most of us did steal When we had no lights Had to scrounge for every meal And the power was out Out in every house and home Lost our comforts then All the ones you never known, so [CHORUS] When the sun came out Well, the chaos never passed In the light of day There was somethin’ bound to last As the seasons changed It got colder in the street Moon that rearranged Had a people to defeat. So, [CHORUS] So the night came back For a week, then two or three Was a cruel attack Science said it couldn’t be But we all could see Burning science by the stack When the light it gave Brought some tribal instinct back. So, [CHORUS] Fuck the moon, fuck the moon Ooh-way-ooh, fuck the moon Fuck the moon, fuck the moon Ooh-way-ooh, fuck the moon [CHORUS] Now you kids all know Nothin’ more than stones and sticks But you might soon grow With a great big world to fix So you all should try Not to make the same mistakes When the moon hangs high ‘Cause you know by now, it waits. So-- [CHORUS x2]

about

What if...

... when you went to bed tonight, you had to be on the lookout for a mysterious dream-traveler who may or may not have some very important secrets to share with you?

... your entire state was surrounded by so many pigs that no one could get in or out?

... the sun disappeared during a total eclipse and it never came back? And what if that was okay, because the Earth itself gave birth to a new sun to replace the old?

All these questions and more are asked in the forty-four minutes and forty-four seconds of music I'm presenting to you now, but it's up to you to answer them. And just what is it about that memory device you learned in high school trigonometry that's so disturbing?

credits

released April 19, 2019

Cover designed by Tristan Adams, who also helped to inspire several of the songs on this album.

All songs written, composed, performed, and mastered by me. When they're inspired by or based on a particular thing I didn't create, it's indicated on the song's page.

The development process of this album began in May 2016, before I had released any music outside of SoundCloud remixes that became "Paleontology in Nevada" later that same month. "Across the Noise" was the first song I wrote for it, on May 10, coming up with the lyrics while waiting for a job interview at a Subway sandwich shop that has since closed (a job which I never ended up getting anyway). That kicked off a flurry of writing – "Cooper Falling Body" was written the following day and both "Magic Hexagon" and what was originally titled "Enhancement Institute" came on the 12th.

After a whole bunch of songs that didn't make the cut for not being very good, I wrote "Banana Yellow Suit" on the 19th and "Entropy" on the 24th, the last time I would touch the idea of a "Hypothetical Album" for a while. "Living in Places" was the next addition in March 2017, by which time I'd made several remix albums and was seriously starting to miss the feeling that one day, I was going to be making my own original music.

"Fourth of July" was written, unsurprisingly, right after the Fourth of July, 2017, and was finished the following night. "From Gaia" was written July 23rd, and I came up with the lyrics to "This Man" while working as a summer janitor and cleaning a bathroom at my old high school. I hoped that, as work wound down and I spent more and more time getting paid to do nothing, new and better songs would come to me easily, but unfortunately this wasn't the case, even as I watched from a school window the eclipse that would inspire the next song on the album.

I didn't get around to writing "Fuck the Moon" until December, but I was able to immediately follow it up with "Rise of the Hogs". The album itself remained a distant fantasy, but as I experimented with my own vocals in 2018 and started to build up my composition experience in FL Studio, I decided I couldn't let these songs fester any more - I had to exorcise these years-old spirits before I got any further as a musician. I set a target for the spring of 2019, and decided I would start working on it as soon as Christmas Omnipotence was done, as soon as 2019 arrived. Before that could happen, though, I thought of one more thing to add - "Bartleby", which I wrote half of in September and the other half in December 2018, referring directly to the Project Gutenberg transcription of the original story as I went.

Most of the composition and sequencing took place between January and March 2019 in my dorm room at Lawrence University. The vocals were all recorded at the Lawrence Conservatory of Music, March 2-8, basement practice rooms B-63, B-65, and B-50. These sessions lasted about three hours a day and were incredibly tiring, only for me to find when it was over that I had very little time to work on mixing the vocals and mastering the final album. My projected date of release kept slipping, and I ended up doing much of the post-production work at the Lawrence University London Centre while studying abroad.

As you can see from this summary, the making of this album was a long process, a lot of work, and the underpinning of what I've been striving to achieve with each successive album. More than anything, it's left me excited for the future - and the next time I put out new music, you'll know I'm working my way towards an even higher goal.

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Lumpp Wisconsin

I've been trying to music since 2015.

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